Our young lady's spirit was strangely divided; she had a tenderness for Owen which she deeply concealed, yet it left her occasion to marvel at the way a man was made who could care in any relation for a creature like Mona Brigstock when he had known in any relation a creature like Adela Gereth. With such a mother to give him the pitch, how could he take it so low? She wondered that she didn't despise him for this, but there was something that kept her from it. If there had been nothing else it would have sufficed that she really found herself from this moment the medium of communication with him. "My just giving everything back?"!

The sense of her adversary's dryness, which was ominous of something she couldn't read, made Fleda, before complying, linger a little on the terrace; she felt the need moreover of taking breath after such a flight into the cold air of denial. When at last she rejoined Mrs. Gereth she found her erect before the drawing-room fire. Their tea had been set out in the same quarter, and the mistress of the house, for whom the preparation of it was in general a high and undelegated function, was in an attitude to which the hissing urn made no appeal. This omission, for Fleda, was such a further sign of something to come that, to disguise her apprehension, she immediately and without an apology took the duty in hand; only, however, to be promptly reminded that she was performing it confusedly and not counting the journeys of the little silver shovel she emptied into the pot. "Not five, my dear—the usual three," said her hostess, with the same dryness; watching her then in silence while she clumsily corrected her mistake. The tea took some minutes to draw, and Mrs. Gereth availed herself of them suddenly to exclaim: "You haven't yet told me, you know, how it is you propose to 'make' me!" "Oh, if you count the ghosts!"

"I've pulled myself together." Fleda paused; then she added: "And I've seen Mr. Owen." Mrs. Brigstock's round eyes grew rounder. "All day long?" She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful.